I failed to point out in the brief that there is no obligation for you submit your illustration for selection by the Big Issue editorial staff.
If you choose not to participate that is completely reasonable. You will just complete the assignment as you would any other.
Thursday 22 May 2014
Wednesday 21 May 2014
Assignment 5
Assignment 5
Editorial Illustration
For this assignment you are to create a full page editorial illustration to accompany a story in the Big Issue Magazine.
The Big Issue has a circulation of approximately 35,000 and its readership is a very sophisticated one.
Many of Australia's leading illustrators including Dean Gorissen, Nigel Buchanan, Andrew Joyner, Sonia Kretschmer and Andrea Innocent have contributed to the magazine.
The Big Issue have kindly offered to run the most appropriate of our illustrations (provided it is of publication standard) in a future issue, so this is a great opportunity to:
a) have a published piece in your folio
and
b) have your work seen by 35,000 people.
The aim of an editorial pice is to compliment a story. It should add to the story without explaining it in detail.
The dimensions of this illustration are:
196mm w x 251mm h.
It will be full colour.
Your illustration must have 5mm bleed all around.
You are to provide me with three concept sketches. Together we will choose the best one. You will then develop that sketch to a high standard.
Your final sketch must be approved by me before you proceed to final art.
I will present the best three illustrations to the editorial staff of the Big Issue, and they will choose the one most suitable for publication.
Assignment due: Friday 13 June
Koren Helbig
Editorial Illustration
For this assignment you are to create a full page editorial illustration to accompany a story in the Big Issue Magazine.
The Big Issue has a circulation of approximately 35,000 and its readership is a very sophisticated one.
Many of Australia's leading illustrators including Dean Gorissen, Nigel Buchanan, Andrew Joyner, Sonia Kretschmer and Andrea Innocent have contributed to the magazine.
The Big Issue have kindly offered to run the most appropriate of our illustrations (provided it is of publication standard) in a future issue, so this is a great opportunity to:
a) have a published piece in your folio
and
b) have your work seen by 35,000 people.
The aim of an editorial pice is to compliment a story. It should add to the story without explaining it in detail.
The dimensions of this illustration are:
196mm w x 251mm h.
It will be full colour.
Your illustration must have 5mm bleed all around.
You are to provide me with three concept sketches. Together we will choose the best one. You will then develop that sketch to a high standard.
Your final sketch must be approved by me before you proceed to final art.
I will present the best three illustrations to the editorial staff of the Big Issue, and they will choose the one most suitable for publication.
Assignment due: Friday 13 June
Cleaning Frenzy
It
was perfectly reasonable that the apartment should descend into such a fetid
tip. Not only the domain of youngsters who had yet to develop a mature penchant
for cleanliness, the flat had also become a short-term lodging house for all
and sundry passing through, some paying their way, others friends of friends
who crashed gratis.
The
sum total of these assorted residents was wrought large in the kitchen, where
barely an inch of counter space could be seen beneath heaped piles of flotsam
and jetsam. Plastic tubs filled with foods of varying ages and conditions.
Sticks of abandoned bread long since petrified. Spice canisters wriggling with
pudgy white worms. Plastic bags leaking foul-odoured fluids. Half-drunk bottles
of wine likely untouched since the Middle Ages. And everything encrusted with a
horridly grimy and sticky film of oil, layers of the stuff, proving thousands
of meals had passed across the stovetop since the last big clean.
For
a neat freak like myself, this kitchen was akin to hell.
For
the first few months, however, I bore the horror. I, too, was potentially only
passing through and the mammoth task of sterilising this wasteland seemed
disproportionate to the time I would actually spend enjoying the fruits of my
labour. Like everyone else in the flat, I shunned cleaning accountability
purely because I didn’t consider myself a long-term resident. It was someone
else’s problem.
I
kept my own room spick and span, a refuge from the evil of the common areas. The
drains in the apartment repeatedly blocked, leaving the bathroom sink a fetid
waterhole of toothpaste spittings, mucky soap suds and ends of whiskers shorn
from the menfolk’s faces. That wasn’t anyone’s fault. The building was old,
constructed around the middle of last century in the Spanish seaside city of
Alicante, well before elevators became a standard addition, as evidenced by the
four flights of stairs we all puffed up to reach our own front door.
The
four-bedroom house, however, was ideally located smack-bang in the centre of
town, minutes from our little slice of Mediterranean coastline, one street over
from the central markets, and a short walk to the party neighbourhood. Plus,
rent was cheap. Herein lay the attraction, the reason we all opted to call the
flat home – those on short-term work contracts, the vacationers stopping by for
a few day’s bargain bedding, and me, an Australian living a few months in this
city and that as I tried to see as much of Spain as possible.
At
some point though, I realised the small and rather grimy city of Alicante had
worked its way into my heart and I desired to stay longer than the two months
I’d originally planned. I wanted to make this cruddy flat home, despite its
frat house-style horrors. Because, it turned out, location was not the only
benefit. I had grown to like the few housemates who were staying longer term
and enjoyed the miscellany of others who popped through. Of course, the grubby
living circumstances weren’t confined to this house alone; near everyone who has
lived with people who know each other only by the sheer coincidence of shared
living quarters has witnessed how cleaning accountability can go so completely
AWOL. Better the devil you know, I thought. Living with pleasantly likeminded
people (cleanliness levels aside) who weren’t closet serial killers or
reclusive hobbits seemed worth the mess.
Nonetheless,
I began fantasising about a spick and span kitchen, dreaming of all the gourmet
cuisine I would smilingly serve from atop its gleaming bench tops. A fumigation
was imminent.
Four
hours of my life slipped away while sanitising that cesspit. Four entire hours
of scrubbing and scouring and trashing decaying unmentionables. I scraped
layers of built up grease and grime off the shelves with a knife, ditched food
that had expired around the same time as the dinosaurs and chipped ancient food
splatters from what I discovered were actually white tiles. My housemates
popped in and out, offering the odd word of encouragement, yet when I was done
no one seemed particularly impressed with the extraordinary feat I had just
executed. Life went on, a little more hygienically but otherwise unchanged.
I still live here in this crumbling
old building, where forgotten food often quite literally takes on a life of its
own and the drains block every few weeks. I have no immediate plans to move,
which sometimes makes me wonder: perhaps its time to clean the bathroom?
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